Everyone Can Dance

Earlier this month, I thoroughly enjoyed watching an evening of ballet performances, at Edinburgh Ballet Circle’s annual showcase, at the St Bride’s Centre, Edinburgh. 

Edinburgh Ballet Circle

Edinburgh Ballet Circle is an entirely amateur ballet troupe, consisting of dancers who regularly attend one of the many adult ballet classes across the city.  This was set up in 2011 by director Jonathan Burnett and is the first entirely non-professional ballet company in Edinburgh for some 50 years.  I've been attending Jonathan's classes for a couple of years now and I went along to support some of the people from my class who were in the show. 

The production consisted of 3 ballets.  The first part was my favourite, Act 2 of The Nutcracker, featuring a fun circus themed twist together with some fine comedy touches.  I particularly loved the ‘sugar plum fairy tight rope dancers’, with brave tutu wearing amateur ballerinas, showing off pointe work skills.  There were also ‘chinese plate spinner dancers’ with their pirouette free for all.  And I can't omit to mention the small group of male ballerinos who appeared in almost every scene and were game for anything, even a tongue in cheek clown routine.  The second ballet was a dramatization of the Little Mermaid, with wistful and dramatic story telling, ably danced and very atmospheric.  The finale was the ‘Ballet of the Nuns’, a quirky show that lived up to its bizarre title.

Nuns in tutus

I absolutely loved the whole thing.  Overall, the night showcased everything I love about community dance, whatever the genre.  It’s fantastic to see dancers of every ability, age, shape and size giving it their all.  There was always something to look at, whether skill, drama and finesse, or smiles of joy coming from the corps de ballet for just being there. 

It really reminded me how great it is within the Egyptian Dance or Belly Dance community, to have performing opportunities for student dancers to express themselves, whether at a local hafla, festival or community show.  It is so important that these showcases continue, for dancers of every skill level to work hard for, enjoy, and share with friends and family. 

Top 10 Ways to Market Your Belly Dance Event

After successfully organising and hosting the sell-out NADA/Baladi Blues event in Edinburgh last year, I had some nice comments about my positive approach to the marketing of the event.  I'd never done anything quite like this before – an afternoon of workshops, followed by evening concert and party with musicians – but I had the advantage of drawing on some related experience from the non-dancing part of my world. 


Daughters of Isis by James Campbell

At the time, NADA's convenor asked me to pass on some marketing advice to their members, so I wrote them an article for their magazine. 

Here are my 'Top 10 Tips' for marketing your dance event, first published by NADA:

1. Find the people that matter.  Word of mouth can mean a lot in our world and personal approaches count.  Your fellow teachers, friends and students can make a huge difference and an event that brings the dance community together is one which people will want to support.
2. Identify all the reasons why people might be interested in coming to your event, they are your unique selling points.  For example, what’s different about your event?  Is there something special about the teacher that students will learn from?  Is there something that isn’t on offer elsewhere? 
3. Use a range of tools that are at your disposal.  There are lots of ways to tell people about your event.  Take advantage of the internet, Facebook, classes, posters, flyers and anything else that captures your imagination.  These tools are usually cheap and often free – although you do need to invest your time to make them work for you. 
4. Create a timeline or countdown to the event.  Along with all the other stuff that needs to get done like organising the venue, programme and selling tickets, think about when you need to advertise your event.  Time your mail outs and other updates to fit with your plan.  Too few messages and people might miss the event entirely or just not get round to booking.  Too many and people get annoyed, unsubscribe or simply hit the delete button. 
5. Don’t sound like a stuck record.  If you are updating people about an event, do it in an interesting way so that your potential audience don’t lose interest.  Think about what you are saying and pick out different themes and messages to make it engaging.   
6. Put in a bit of personality into your campaign.  This one’s harder to convey, but what matters here is a friendly approach that makes others want to join you.  It’s about showing it’s real people that are behind the organisation of the event.   
7. Be honest about participation levels and ticket sales, and when it’s really time to book.  This helps people to plan when to book and pay for each part of the event.  And helps the organisers respond quickly if the numbers don’t pick up when they should. 
8. If there is one part of the event that isn’t selling so well, target some extra effort.  We had only had a few early registrations for our free beginners’ belly dance workshop.  In response, we targeted some Facebook activity at this part of the day, specifically to engage with non-dancers. 
9. Make it easy for people to participate.  A few extra touches can help someone decide to commit to the event.  The first question is often “where is the event, and how do I get there?”  Provide helpful information like maps and transport information and use a dedicated webpage if you can.   
10. Finally, create something that people want to be part of.  No matter how much muscle or self belief you put behind your campaign, it’s never going to work unless people are interested in what you are doing.  Our creation was an easy sell thanks to NADA – an amazing opportunity to learn with, listen to and dance to authentic live Egyptian music.  Or in the words of the Baladi Blues Ensemble band leader Guy Schalom, “spread the Baladi love!”

What do you think about this advice? 

I'd love to know, how do you spread the word about your belly dance events?

Feldenkrais classes in Edinburgh

I talked a little in my previous post about how much I've got out of learning Feldenkrais and I thought it would be good to share some information on local classes, for anyone interested to learn more. 

There are currently 3 teachers of Feldenkrais that I know of who offer classes in Edinburgh.

Firstly, there is Jackie Adkins.  She is a teacher based in Moray, who comes to Edinburgh every month or so to teach a workshop.  Her next event is this weekend, 6th April, on the theme of 'Freeing the Shoulders' (see flyer).  Jackie also teaches workshops in Glasgow and regular classes in the North East in the Moray area (Forres).  I first started learning through Jackie's workshops and found them a great introduction to the method.  I also liked that she provided us with useful handouts and was great at signposting where to learn more.  To find out more, go to her website.   

My current teacher in Edinburgh is Merav Israel.  She teaches regular classes (Awareness Through Movement), offers one to one lessons (Functional Integration), and offers the occasional workshop.  I have gained a great deal from her classes, particularly the private sessions.  Merav has a gentle style of teaching and a rich empathy driven approach as a practitioner.  For details of her group classes, individual sessions, and next workshop - 4th May, on the topic of 'breathing' - visit her website. 

Another teacher based in Edinburgh is Jae Gruenke.  I have not had the opportunity to take her classes.  She teaches a weekly class and also practises privately.  Her strong interest is in working with runners and athletes and she previously ran a specialist practice in New York.  For more, visit her website. 

Have you tried Feldenkrais method?  Do you know of any other local teachers?  I'd love to hear from you. 

Kate's Baladi

Kate Deacon is a Scottish teacher of Raqs Sharqi style Egyptian Dance.  She runs several classes in the Borders and Lanarkshire.  She originally trained with my teacher Lorne McCall and I think she's a beautiful dancer.

Kate doesn't perform so often these days, but Susan Tonner of Katra and Twisted Tails posted this video of her dancing in Edinburgh a few weeks ago, in a special event featuring Carolena Nericcio of Fat Chance Belly Dance.  This is a lovely example of the Raqs Sharqi Society style of Baladi - simple, sweet and melodic; with patterns in space and geometric motifs. 

Big Dance Edinburgh and Bellydance Flashmob

I've had a fantastic dancey weekend.  I previously blogged about the Big Dance weekend of dance, in Edinburgh Saturday 30th June to Sunday 1st July, connected to the London 2012 festivities around the country.

After Saturday night's eventful gig, I felt spurred to head down to the National Museum of Scotland on Sunday to take part in the bellydance flashmob, organised by Elspeth Swishandhips, as part of Big Dance Edinburgh.  Months of careful and planning and organisation went into this and Elspeth even filmed and uploaded tutorials of all the choreography so that as many people as possible could take part. 

There were about 50 dancers, with Egyptian, ATS and Tribal Fusion styles all featuring.  With so many old and new faces, there was a fantastic buzz about the place and a huge crowd cheering us on - although I suspect not all of them were so unsuspecting.  Congratulations Elspeth, it was a fantastic event and thank you for all your hard work! And well done to all the dancers who took part!

Here we all are dancing in the Museum's spectacular surroundings (thanks to Norma for the photo): 

Big Dance events were taking place all over the city.  Here's my shot of Fife based ATS teacher Elaine giving a taster in the Museum, a bit later on:

And here's my shot of amazing double sword dancer Briar from Edinburgh troupe Twisted Tails under the shadow of Edinburgh castle.

At the end of the day, I even found myself chatting to someone in the crowd who felt inspired to start a new dance class.  Well how about that then for a successful way end to a weekend aimed at getting people dancing?

Here is Emma's video of the flashmob in all its glory:

Dancing to the tune of London 2012

The excitement of the London 2012 Olympics came to Edinburgh today, with the Olympic torch relay.  Here is Scottish ice dancer John Kerr whizzing by, flame in hand. 

Another part of the year of Olympic celebrations, coming to Edinburgh, is Big Dance 2012.  Thousands of events are taking place across the UK, involving all kinds of dance styles and community groups.  And anyone can join in.

The Edinburgh Big Dance event takes place over the weekend Saturday 30th of June and Sunday 1st July.  There's all sorts of different things going on across the city and here are my top picks.

Firstly, my Ballet class at Dance Base are performing the "Ballet of the Trams" at the Grassmarket stage on the Saturday at 2.50pm.  The whole thing is choreographed to the "Trolley Song" from Meet me in St Louis.  And for all sorts of reasons, this all age, all ability group of ballerinas and ballerinos is almost guaranteed to put a smile on your face.

The second event is something very special indeed.  I can't say much more, but I do know that the event is being led by Elspeth SwishandHips and it is rumoured be taking place in central Edinburgh at lunchtime on Sunday 1st July.  I can't wait!

How are you celebrating the 2012 Olympics where you are?

If you hear me walking down the street...

The finger cymbal playing is coming along, thanks to my new practise regime. 

The zills I recently purchased are of the professional variety.  They are big and loud and the sound will cut through noisy bars and open air fetes.  But loud also has a downside, when practising for any sustained period of time. 

My "studio" at home is the kitchen in my tenement flat, breakfast table pushed to the side.  It's got a laminate floor and I try to tell myself this offers some kind of sound insulation for my poor neighbours.  Well they haven't yet complained... My poor ears, however, are ringing along with my fingers - they are now starting to suffer.

I needed to find a solution to my problem.  What's that I *struggle to* hear other dancers shout? Zill mufflers?  Baby socks?  I say no crochet.  I want to hear what I am doing, to work on the difference between dums and taks, clicks and claps. 

I had to think out of the apartment, and move my practise to the great outdoors.  Well, the streets of Edinburgh to be more precise.  So I've taken to walking home at night, zills in hand, through the old town, up the royal mile, across the meadows.  And it works.  I can practise my drills, rhythms, variations, slowing down, speeding up, tones, trills and tricks.  All the while, I am walking home to a constant beat, thinking about my tea, looking at the Edinburgh skyline, and browsing in shop windows.  And it's the same kind of brain multi-tasking skill, that I can then apply to my dancing. 

I do pass plenty of people every day.  But there are lots of other city noises all around, sometimes so much that even my zills are drowned out.  And no one's really exposed to the sound for more than a moment.  If anyone notices, I have mostly just been politely ignored. 

And the result?  Well, I think it's starting to work... In just a few weeks of practising a little bit every day, my fingers are getting used to playing.  And when I put on some music and start dancing zills in hand, I think I'm finally getting it!

Have you got a great practise trick for learning finger cymbals, zills or sagat?  I would love to hear it. 

In the meantime, here's a shot of that Edinburgh's skyline.  I hope this provides some nice distraction from playing the 200th repetition of Beledi rhythm.

Oh, by the way has anyone any advice for protecting zills from the rain...?

Thank you for the music!

Thank you Northern Arabic Dance Association for last night's fantastic live music event in Edinburgh with the Baladi Blues Ensemble!

Thanks to your support: 8 people got to dance in the evening show; another 8 led the musicians in the workshop; 21 in total enjoyed a workshop with live musicians; 1 person had her first experience teaching a live music workshop; 10 people went to their very first bellydance class; and over 115 people enjoyed our party and performances to fantastic live Egyptian music from the Baladi Blues Ensemble!

For many that were there this was their first experience of hearing or dancing to live Arabic music, for others this was the first time they had ever seen Arabic dance or belly dance. For all of us, this was a very special occasion, with a beautiful warm atmosphere and a fantastic finale for a whole weekend of amazing events like this around the country.

Thank you to everyone at NADA, all of its members, committee, to Coordinator Anna Bisco, to Elspeth SwishandHips, all the volunteers and helpers, the staff at the David Lloyd Newhaven, and to the incredible Baladi Blues Ensemble - Guy Schalom, Sheik Taha, Ahmed El Saidi and Adam Warne!

Thank you to all of you for spreading the Baladi Love!

Baladi Blues Band - Live Arabic Music in Edinburgh

On Sunday 5th February 2012, I am hosting the Baladi Blues Ensemble, live in Edinburgh, for a day of Egyptian Dance.

Day of Dance Flyer

All the details, including bookings information, venue, directions and accommodation info are on my website.

The aim of this event is to bring live music and Egyptian Dance to communities that might not otherwise get the chance to experience it.  That’s why we have arranged a free taster workshop as part of the day.  And that’s also why we’ve kept the cost of participation very low – thanks to the generous sponsorship of NADA, the Northern Arabic Dance Association.

Baladi Blues Ensemble

The Baladi Blues Ensemble plays the urban Egyptian dance music known as Baladi. Skillful accordion and saxophone improvisations, energised by powerful Egyptian rhythms give the Baladi Blues Ensemble its distinctive sound. Their music reflects the sophisticated and fast paced, urban lifestyle of 1950’s Cairo - all offered with a charming and enigmatic stage presence.

Baladi Blues Ensemble

The group is led by renowned percussionist, Guy Schalom, and features legendary quarter-tone accordionist Sheik Taha (Mohamed Abdel Wahab, Ahmed Adaweya, Fifi Abdou, and Tahia Cariocca), saxophonist Ahmed El Saidi (Ali Hassan Kuban, Shams Hussein, Salamat) and master percussionist Hassan Reevis (Abdel Halim Hafez, Ahmed Adaweya).  The band also features frame drum wizard Adam Warne.

Venue 

The venue is the Forth View Suite at the David Lloyd Club, Edinburgh Newhaven Harbour, EH6 4LX.   Venue details, map, transport etc. information is available here.

Day

The day will feature:

• FREE Egyptian Belly Dance taster workshop (2:00pm till 3:00pm)
• Live music workshop for Dancers (3:15pm till 5:15pm)
• EVENING CONCERT and party with live music (starts 7:30pm)

Evening concert and party with the Baladi Blues Ensemble
Starts 7:30, cost: £5! (LAST FEW TICKETS)

This unmissable concert and party will feature authentic live music from the fabulous Baladi Blues Ensemble, along with dance performances and lots of time to boogie with the band!

A fantastic evening of live music, featuring performances from me, Lorne, Espeth, Kerimeh, Anna and Edinburgh's longest established Egyptian Dance troupe Daughters of Isis.

Tickets are selling very quickly for this event, advanced booking is advised. 

FREE Egyptian Belly Dance taster workshop for Beginners
2:00 till 3:00, cost: FREE

A fun, free, accessible dance workshop suitable for all ages and abilities.  This will be a fun filled introduction to Egyptian Dance for complete Beginners, brought to you by Dance Base's Elspeth SwishandHips.

To join the FREE workshop, either reserve your place in advance or simply turn up on the day, 

The Spirit of Baladi - Live music workshop for Dancers
3:00 till 5:00 (SOLD OUT)

I am teaching a workshop for dancers on "the Spirit of Baladi", accompanied by Baladi Blues band leader Guy Schalom on Egyptian Tabla and master accordion player Sheikh Taha - an opportunity to learn to connect with and dance to traditional Egyptian music, melody and rhythm, and to explore moving the soulful sound of Baladi accordion - played by one of the leading musicians of this incredible art form.  

Bookings

To book, go to bookings page on my website and follow the instructions.

For evening tickets, all reservations will only be held if secured by full payment (you can pay via PayPal) and the last date for Advanced Bookings and Payment is Friday 3rd February.

If any evening tickets remain after 3rd February than these will be sold on the day on a first come, first served basis.

2011 - 12 months in 12 sentences

I've risen to the challenge to summarize my 2011 year in just 12 sentences, one per month. Thanks go to Claire (@StAndrewsLynx) for the inspiration to blog on the "12 in 12" theme. And to those reading this - Happy New Year!  I hope that 2012 brings good things to you, and everyone. 

In January, I found some mezze (I also survived my worst costume malfunction but quickly destroyed all evidence).

I had a Fifi February, dancing with melaya and white galabeya. 

In March, I fed my fabric shopping habit during a trip to Paris, and Walked the Walk with a little bit of Aziza. 

April was a JoY, and workshops with Eman Zaki had me dancing Samia style. 

Jewel of Yorkshire with Khaled Mahmoud and Eman Zaki

In May, I had a Dorothy moment in the wrong dancers holiday in Marrakesh; and later danced the Zarr with Suraya accompanied by drumming from the father and son El Minyawis.  

Marrakesh

In June, I taught and guest starred at the second Glasgow Festival of Arabic Dance. 

Dancing at GFAD, by Milla

July was the Raqs Sharqi Society fundraiser in London, and the Foundation for Community Dance summer school - where I completed their certificate in Age Inclusive Practice.

August brought injury, which caused me to miss my guest star spot at Planet Egypt in London.

September, I had a really good time watching other dancers while I gradually got my body moving again.

October had me up, dancing again and joining Beatrice Grognard's workshops as part of the Songe d'une nuit en Egypte weekend.

November brought a thankfully snow free drive home from Northern Lights at Newport on Tay.

December meant lots of hours planning the Baladi Blues live Egyptian music event in Edinburgh next year - on 5th February 2012 - and I even sold out the live music dancers workshop that I'll be teaching then. 

Baladi Blues day of dance

Choosing Your Music - Advice for Students

The first Arabic music CDs I bought were albums containing the tracks my teacher was using in class and for class choreographies.  When I was starting out, I also frequently browsed the world music sections of the big music shops and came away with some good starter compilations including numerous titles containing a taster of music from a particular region or title, for example Rough Guide - which can often include a pretty decent selection of tracks.  The good stores will also let you listen to the music before you buy.

I have to admit, I've not fully embraced the digital world when it comes to my music collection and I am very attached to owning the actual CD containing the tracks I am after.  And yes, it's important that these are the originals.

Windows of l'Institut du Monde Arabe, Paris

From here I moved on to the independent stores and suppliers.  These will often let you listen before you buy and often contain the more interesting international and independent labels.  In Edinburgh, I will always drop into my favourite music shop, the traditional folk music store Coda whenever I am passing.  They have a good world music section with a small rack of Arabic music and you can always find albums from the well known international artists featured there, and from the world or traditional music radio shows on Radio 2 and Radio Scotland.  They also stock independent titles and I've frequently seen CDs from UK based Arabic music talent appear there.  They will also let you listen to any CD before you buy and have a great sound system.  Also if you're lucky, Coda sometimes has some great special offer prices and the sale rail can also turn up the odd gem.  Hilary's Bazaar is another place worth browsing for CDs and definately worth a visit.  This store doesn't tend to be as competitively priced as the online retailers.  However, it has a big selection, including a number of rare titles, and you can ask for advice and listen too.  

My other main trick for buying great Arabic music is browsing for my collection wherever I happen to be on holiday.  This can often include the big chain music stores like fnac.  Certainly different countries in Europe will often have various middle eastern communities in their midst, so browsing through a store catering for local tastes whilst abroad can open the doors to many new titles and lables.  For example, on a trip to Paris a few months ago, I made a special trip to l'Institut du monde arabe, just to go to their bookstore and browse through a complete set of music titles from their own label.

This post responds to Emma Chapman's article on Choosing Your Music, a blog entry aimed at advising her students.  Emma is a Cambridge based professional belly dancer and her handy guide contains some great tips on where to start and useful links.  A nice little introduction for any student, particularly those accessing Arabic dance from a Modern Egyptian style perspective.

Emma Chapman

Profiting From Others

Recently, I was offered for sale a homemade CD from a local belly dancer.  It was a compilation featuring a variety of oriental music, sold in a plastic sleeve with a photo of the dancer, and with no track listing or other information. 

At £10 a CD, it's obviously a nice way of supplementing a dancer's income, particularly at workshops where eager students can clamber to purchase the track used in the class.  But this brings with it unfortunate consequences.

I can try to explain more about the implications of music piracy, but it's probably better to watch Beata Cifuentes, one of the victims of this type of crime, explaining for himself.  



If you want to understand more about how much of the heart and soul of an artist goes into producing original oriental music, I would also recommend reading Yasmina of Cairo's article in this months NADA magazine.

Finally, this is one of my favourite CDs:

This music was produced by Jennifer Carmen of Layali El Sharq music.  One of the tracks is a beautiful Baladi accordion progression, played by Sheikh Taha (for more about Sheikh Taha read the latest issue of Mosaic magazine). Last month, I watched an experienced professional performer dance a lovely rendition to this very piece.  I  approached the performer later that evening to speak to her about what is one of my favourite pieces of music.  But I quickly discovered that she wasn't even aware of where the music had come from, let alone know the name of the artist.  And she was far from understanding the story behind it (which you can read here). 

In the Arabic Dance world, performers are increasingly conscious of finding out exactly what style they are dancing to, ensuring that they understand the lyrics and are sensitive to the culture which the music comes from.  So why should so many of these same artists have no reservation about disrespecting the artistry and hard work that goes into producing the very recordings that they dance to?

www.habibadance.com

Edinburgh Egyptian Dancers Annual Hafla, 21 November 2010

"Hafla" is the Arabic word for party. This fabulous dance event, will feature the best of local talent and further afield.

This is the longest running Egyptian Dance event in Scotland and it's organised by our very own Edinburgh Egyptian Dancers.

The Hafla is at Revolution, Chambers Street, Edinburgh, EH1 1HU.

Doors open at 7.30pm, show starts at 8.00pm and tickets cost £10 and are available on the door.

Here's a clip of Daughters of Isis (who run Edinburgh Egyptian Dancers) dancing at the EED Hafla at Revolution:


I'll be performing again this year, dancing both a solo and a group performance as a member of Juliana Brustik's performance group. 

Edinburgh Egyptian Dancers also arrange regular workshops with visiting Master Teacher Juliana Brustik:
Juliana will be guest staring at the Hafla and will also be running dance workshops in Edinburgh over the Saturday and Sunday of the weekend:
Saturday 20th November, 1.00-5.30pm
Sunday 21st November, 1.00-5.00pm
At Granton Parish Church, Boswall Parkway (corner of Boswall Parkway and Wardieburn Drive), Edinburgh

Hope to see you there!

www.habibadance.com

Autumn 2010 - new term of weekly classes in the Dances of Egypt

I'm really pleased to announce a new term of weekly classes in the Dances of Egypt at the Salisbury Centre, Edinburgh.  

You will discover a beautiful, earthy and expressive form of Egyptian Dance.  Raqs Sharqi, meaning “Dance of the East” is a blend of folk tradition and contemporary interpretation.   You will experience the broad variety of music and dance associated with this beautiful form, from the Sha’abi folk dances of the South of Egypt, to the Baladi of Cairo. 

Classes are Open level.  We welcome both Beginners with little or no dance experience and Improvers who already have experience or knowledge of either Egyptian Dance or styles of belly dance. 

Please wear clothes that allow you to move freely and if you want you can tie a scarf around your hips.  We also dance in bare feet, although soft soled dance shoes are OK.   

Here are all the details. 
Thursday nights 7:30-8:45pm
Classes start on 30 September and will run until 16 December
This is a 12 week term with no break
Cost is £72 (or £60 for concessions)
Open level
 
In a class we start with a warm up and then explore the technique and music associated with a particular style of Egyptian Dance.  We then use the technique we have learnt to dance together a short piece in this style.  We end each class with a cool down with some gentle stretching.  The length of each class is an hour and a quarter so that we have time to cover all of this.

I've had some really positive feedback about my classes and teaching style, and you can read some testimonials on my website. 

Bookings
To book, visit the Salisbury Centre website where you can pay using PayPal.
You can also make your booking by contacting the Salisbury Centre:
2 Salisbury Road, Edinburgh, EH16 5AB
Telephone: 0131 667 5438
email: office@salisburycentre.orgBookings should be open within the next few days. 

The Salisbury Centre
The Centre is the longest established holistic education centre in Edinburgh.  It is based in a Georgian House in the Southside of Edinburgh and set within beautiful organic gardens.   Here is the streetview.  The studio is in fact an amazing first floor drawing room, with a clean floor and beautiful views.  If you haven't been there before, I would thoroughly recommend going along to visit the Centre.  You can sit in the garden, help yourself to tea and coffee, and explore the range of things on offer including meditation, yoga, pottery, therapies and treatments, and a whole range of different classes and workshops.

Workshops

If you can't make the weekly classes, or if you are already at an Intermediate or Advanced level, then you might be interested in coming to the next Habiba Dance workshop.  The next workshop will be in the Sha'abi Rural Folkdance style on 23 October, from 1:30-3:30, also at the Salisbury Centre.

www.habibadance.com

Welcome to Cairo!

The taxi ride from the airport proved an exciting opening to my Cairo holiday.  After a minor collision and the taxi driver needing to ask half the residents of Mohandiseen for directions, we eventually arrived at Lorna's to find that the lift up to her apartment wasn't working.  Luckily for us the driver then proceeded to carry our suitcases up the 8 flights to her apartment.  It was only once the driver descended again that Lorna told us "nothing wrong with the lift", pressed the call button and then opened the door. 

BellyLorna is a professional dancer Edinburgh, working in Cairo.  She also rents out rooms to visiting dancers to help make ends meet and we were lucky enough to have selected this as our accommodation of choice for the visit.  After settling us into the apartment and giving us a good dose of tourist info, plenty of instructions and even a phone with an Egyptian Sim card, Lorna headed off to work her first sail. 

That night, we went to join Lorna's boat, the Nile Pharaoh, for a dinner cruise and show and most of all to see Lorna herself, perform with her band.  We got a bit of the VIP treatment there, what with being Lorna's guests and all.

 
It was a great show, including some beautiful Arabic music, the first Tanoura of the holiday, and of course 2 sets performed by the beautiful Lorna.  Something I really enjoy about watching Lorna is the warmth and humour in her dancing, which I think is summed up in these pictures. 

The food was pretty good too and there was even a Tabouli that I'm still thinking about.  After her performance, Lorna hung out with us for the rest of the sail and then we returned to the flat to chill on her balcony.  Unfortunately this was also my first introduction to the Cairo mosquito who seemed particularly drawn to limbs soaked in Superdrug repellent. 

Day 2 proved too hot for the pyramids (Lorna went as far as checking the forecast and putting a note under the door to tell us so), so we went instead to Il Mathaf il Masri, the Egyptian Museum.  It was a great day out and we took in pretty much everything in the Top 10 list, and along with eyeballing the great Egyptian Pharaohs we also saw enough jewellery to whet the appetite for the costume shopping later to come. 

Night time came the chance to take the second of our Nile Cruises, this time the Nile Maxim to see Randa, a dancer I previously knew only by reputation, and You Tube of course.  The show lived up to expectations and Randa was indeed amazing, although to reveal my guilty secret, I loved her band and her two singers even more - my heart does not lie with belly dance.  Here is Randa, complete with Randa costumes and Randa band.

 

After the cruise, we were met by Lorna and her friends and whisked off to downtown bar called Arabesque of all places and a chance to let my hair town. Personally, I fell in love with the kitsch interior decor.

www.habibadance.com

Habiba Dance Edinburgh Festival Workshops

Here are some dates for your diary.

I'll be running 2 brand new Egyptian Dance workshops at The Salisbury Centre during the Edinburgh Festival in August 2010

The Golden Age of Egyptian Cinema

Sunday 1 August, 1.00-3.00pm

Dance like the Stars of Egypt’s Golden Age in a workshop inspired by the stars of the 1940s and 1950s era Egyptian cinema – Samia Gamal, Tahia Carioca and Naima Akif.

Classical Egyptian Dance is a new contemporary art form with ancient roots. It draws on the imagery and music of the Ottoman courts, the storytelling of Egypt's Golden Age of cinema, and the music of the classical Egyptian orchestras and famous singers whose radio broadcasts captivated the Arab world. You will find new ways to express this beautiful music and explore the playful and sensual sides of the dance.

This is a General level workshop and is suitable for those who are already familiar with the posture and basic moves of Egyptian dance or belly dance whether Improvers, Intermediate or more advanced students. Bring a full skirt if you have one and a silent hip belt.

Interpreting the Human Voice

Sunday 29 August, 1.00-3.00pm

This workshop will help you to connect with and dance to some of the classic Arabic Baladi (traditional) songs that form part of every dancers’ repertoire. We will also explore movements to interpret the beautiful Mawaal, sometimes considered the Egyptian Blues, a soulful improvisation of the voice that expresses feeling and emotion.

You will learn to find your own personal interpretation of this beautiful music, building on the moves and technique you already know, whilst emphasising the importance of musicality, rhythm and responsiveness.

This is a General level workshop and is suitable for those who are already familiar with the posture and basic moves of Egyptian dance or belly dance whether Improvers, Intermediates or Advanced students.

Bookings 

Both workshops each cost £12 full price or £10 concession.

To book contact the Salisbury Centre, 2 Salisbury Road, Edinburgh, EH16 5AB
Telephone: 0131 667 5438
email: office@salisburycentre.org

Bookings will open as soon as the Salisbury Centre Festival Programme is out.

I hope to see you there!

www.habibadance.com

Learning the Language

It wasn't meant to be a New Year's Resolution, but since January I have been learning Arabic.  And the whole experience has just been so rewarding I want to share something about what I have learned so far.

I had a pretty bad experience learning languages when I was at school and it's not something I ever thought I would be able to do.  Several years later, as an adult, I faced my fear and started going to beginners French classes.  I found it very motivating to learn at my own pace without the school environment and I stuck at it.  We're not talking complete fluency, but after about 3-4 years of study I found that I could pass pretty well in France and Belgium using what I had learned.  A little bit after that, I built on my knowledge of French and even managed to teach myself to speak a little Italian too.  So why all those years spend thinking I couldn't do languages?  Just like learning any new skill, whether languages, dance, or anything there simply isn't a good or bad at, there's only learning in the way that suits you.

So what about the Arabic?  Well I like the sound of it, I love the music and the songs.  And when I listened to the music and read song translations I found I could start picking out the words that I recognised and some of the basic patterns in the language.  I thought about going one step further and learning it properly.  Yes Arabic is very different, but could it really be so difficult?

Around the turn of the year I had some happy accidents.  My friend posted a Facebook link to the You Tube channel Learn Arabic with Maha - containing a charming series of videos being made by an Arabic language teacher who had started teaching her Italian husband.  At the same time, I spotted a set of Beginners Arabic Adult Evening Classes run by the local council, starting that very week.  And all of this perfectly timed to happen right before the holiday to Egypt I had already booked.  All the pieces fell into place at the same time.  So with no reason to hold myself back I plunged in.

I want to say more about the different ways that I have been studying in a bit more detail, but I will have to come back to this at some point soon. 

It has been over 3 months now and I've been studying hard.  I won't be sure how much has actually sunk in till my plane actually lands in Cairo.  But I am very hopeful and I really do think, Insha'allah, that I will have something to say.

www.habibadance.com

Shimmying with old and new

I was really excited to start my new term of classes in Egyptian Dance tonight at The Salisbury Centre.

After a long wait for a slot to teach regular classes in the Centre, I've been offered a regular Thursday night slot for the summer term.  It's my favourite venue to come and teach a class.  The room is beautiful - it's a first floor drawing room with a smooth clean wooden floor and a lovely view over the Centre's organic garden.  And I'm looking forward to teaching on warm summer evenings when it will be possible to relax in the garden before class. 

It is a small group, but really nice to be teaching a combination of students who had been to my previous workshops and classes, those who were already familiar with the dance, and a few students who were entirely new to the dance.

We started with some walks, attitude and posture and then went through some basic moves including fluids, figures of 8, sharps, hits and of course some shimmies and variations - quite exciting as always when the students showed some real shimmy potential.  In the last part of the class we put these moves together to explore a piece of Baladi music, "Jalilah's Balady", from Amar 14:

Places are still available on the course which runs on Thursday evenings from 8.00-9.15 at The Salisbury Centre, 2 Salisbury Road, Edinburgh, EH16 5AB.  Cost for the full 10 week term is £60 full price and £50 for concessions.  To book, call 0131 667 5438, or email office@salisburycentre.org

Image is from Piranha Musik.

www.habibadance.com

Summer term at the Salisbury Centre

 

Good news!

The Salisbury Centre has found me a slot to teach regular weekly classes in Egyptian Dance next term.

Here are the details:

Every Thursday, 8.00-9.15pm
Starting on 22 April 2010
At The Salisbury Centre, 2 Salisbury Road, Edinburgh, EH16 5AB
Cost is £60 for the term of 10 classes, or £50 for concessions

I will be teaching the "Dances of Egypt".  Each week we will introduce the music and dance associated with different styles of Egyptian Dance.  It's a great way of learning about the background, history and development of this rich art form, whilst studying the different moves and technique, and exploring self expression to accompany the music.

The course will cover Sha'abi - the traditional Egyptian folk dance originating from Upper Egypt, Baladi  - an expressive interpretation of "Egyptian Jazz", and Classical - a contemporary style with ancient roots.   We will also explore the energies of the male and female style of dance, and if time allows the contemporary form inspired by Sufi tradition.

The course will be mixed level.  It is suitable for Absolute Beginners and Improvers who want to revisit the basics and develop a deeper understanding of Egyptian dance would also be very welcome.  This was a very popular format when I taught my Summer series of classes in 2009.  You can read the testimonials on my website to hear what my students had to say.

The Salisbury Centre is the longest established holistic education centre in Edinburgh.  It is based in a Georgian House in the Southside of Edinburgh and set within beautiful organic gardens.   Here is the streetview.  The studio is in fact an amazing first floor drawing room, with a clean floor and beautiful views.  If you haven't been there before, I would thoroughly recommend going along to visit the Centre.  You can sit in the garden, help yourself to tea and coffee, and explore the range of things on offer including meditation, yoga, pottery, therapies and treatments, and a whole range of different classes and workshops.

To book, contact The Salisbury Centre: 0131 667 5438, office@salisburycentre.org

And for further information, please feel free to contact me here.

I hope to see you there!

www.habibadance.com

Hafla for Haiti

Hafla for Haiti fundraiser event comes to Edinburgh on Sunday 21st February.

"Hafla" is the Arabic word for party. This fabulous dance event, will feature the best of local talent with a range of performances of many different styles of dance from Egyptian Dance to Burlesque.

The event has the support of Save the Children in support of the Disasters Emergency Committee Haiti Earthquake Appeal.

The Hafla is at Revolution, Chambers Street, Edinburgh.
Doors open at 7pm, tickets cost £10 and are available on the door.

I hope to see you there!

Update: Hafla for Haiti raised £845 for Save the Children's work in Haiti! A big thank you for Irene for organising everything, to all the perfomers who gave their time and to everyone who came along to support the event.

www.habibadance.com