More dance from Morocco

I've added a couple of new clips of traditional Moroccan dance to my YouTube channel.  I filmed these during my trip to Marrakesh last year.  You can read my previous post for a collection of some of the other videos, including Berber dancing and an unexpected surprise during a beauty cooperative tour.

First of all here is the candle tray dance filmed at the beautiful Palais Chahramane restaurant.  I loved watching this dancer for her sense of spectacle without skill.  Possibly even an insight into what might have been the low class street entertainment of days gone by.



The second video is of fun and athletic Gnawa musicians and dancers.  This was part of a brilliant afternoon of entertainment aimed at Moroccan people rather than tourists, in an unlikely location - an outdoor restaurant, behind a service station on the road to Casablanca.  I have still have some unpublished video of the different acts that featured, so either watch this space or feel free to leave me a note if you would like to see more.

Breathing New Life into an Ancient Legend

Dream of an Egyptian Night (Songe d'une Nuit d'Egypte) is a contemporary dance show; which takes its inspiration from the Egypt of the pharaohs, and the goddess Hathor.

(c) Tarab of Egypt

The legend of the goddess Hathor has enabled Béatrice Grognard and her dancers to plunge into the dazzling artistic and intellectual richness of the Egypt of the pharaohs.  Thanks to its musical excerpts drawn from numerous Egyptian repertoires and to the projection of paintings, sculptures, objects and antique sites, Dream of an Egyptian Night aims to celebrate an art which spans two millennia.  The show combines both ancient Egyptian spirituality and sensual pleasure; reflecting Béatrice Grognard’s fifteen years of research and experience of creating performances.  

“A celebration of the powerful femininity of the sun which is a mysterious expression of the beauty of the world and the magic beyond…”

(c) Tarab of Egypt

When the show debuted in Brussels last year it drew critical acclaim and was even featured on Egyptian television’s “Good Morning Egypt” news programme (Sabah el kheir ya Masr) and the Belgian news on Télé Bruxelles.  Here is a short clip from the original show.


Songe d'une nuit d'Egypte - Tarab / Béatrice... by tarabofegypt

You can watch further clips of extracts from the original show (Songe d’une nuit d’Egypte) on the Tarab video channel on Daily Motion.

The exciting news is that thanks to Ellie Atkinson of Zahira Dance and Raqs Sharqi Dorset, and after playing to audiences in Belgium, France and Italy, this amazing show is coming to UK this autumn – to theatres in Bristol in October and Leeds in November! And more good news, both shows will be followed by 2 days of workshops.  Here are all the details.  

Bristol show
Friday 28 October 2011, doors at 7.30pm. 
Queen Elizabeth Hospital Theatre, Berkley Place, Clifton, Bristol, BS8 1JX. 
Tickets are £16.50 including booking fee
To reserve go to www.bristolticketshop.co.uk.

Bristol workshops
Dance Space at the Island (Bridewell St entrance), Bristol, BS1 2PY
Saturday 29 October, 11:30-16:00 - Baladi
Sunday 30 October, 9:30-14:00 - Sha’abi (the rural style from Upper Egypt)
Each workshop costs £45
Bookings can be made by contacting Ellie Atkinson.

Leeds show
Friday 18 November, doors at 7.30pm.
Northern Ballet Theatre, Quarry Hill, Leeds, Yorkshire LS2 7PA. 
Tickets are £16.00 including booking fee. 
To reserve go to www.northernballet.com. 

Leeds workshops
Northern Ballet at Quarry Hill, Leeds, Yorkshire, LS2 7PA
Saturday 19 November, 11:30-16:00 - Classical from the ottoman courts
Sunday 20 November, 9:30-14:00 - Sufi.
Each workshop costs £45
Bookings can be made by contacting Ellie Atkinson.

Béatrice is an inspirational and generous teacher of her own particular style of contemporary and theatrical Egyptian dance. I’m so excited by this that I’m even planning to travel from my home in Edinburgh to both Bristol and Leeds weekends so I can attend both workshop weekends and I’m even thinking of seeing the show twice.  I’m particularly excited by the Sufi style, I’ve only done this a handful of times before with Béatrice and it is an incredible experience, not to be missed. 

Béatrice Grognard is one of the foremost European teachers of contemporary Egyptian Dance.  I first discovered Béatrice Grognard when I started attending her classes when I worked in Brussels for a spell in 2006. Attending her classes twice a week was a wonderful escape from what was a very busy but exciting period in my life. And since returning to the UK, I have continued to train, attending Béatrice’s occasional UK workshops and participating in two of her study trips to Egypt to work with live musicians. 

At the end of last year, I attended an amazing weekend of workshops with Béatrice organised by Diane and Ellie of Raqs Sharqi Dorset.  The learning was deep and amazing.  The Baladi focused on the meeting between singer, musicians and dancer, melting together like hot chocolate into a single melody.  The Ghawazee class helped us to explore strength, femininity and most of all fun, working with signature moves like throwing hips, twists, dynamic movements, wide shimmies, and rhythmic footwork.  And the jewel in the crown of the workshop weekend was Sharqi, the modern and classical form of the dance, almost contemporary in its interpretation.  Béatrice opened our eyes to challenging all our assumptions about how to interpret the music, unpicking many years of learning the “correct” way to dance.

About Béatrice Grognard

(c) Tarab of Egypt

Béatrice Grognard divides her time between Europe, Cairo and Brussels where, in 1998, she founded the "Tarab”, School of Theatrical Dances of Egypt". She has dedicated the last 15 years to the study and research of Egyptian music and dance. Trained as an archaeologist, Béatrice has always had true passion about arts and dance. Since 1991, Béatrice has devoted herself exclusively to dance and choreography and, thanks to her tremendous enthusiasm, has dedicated herself to defending the beauty and the authenticity of traditional Egyptian dances. Her quest today is directly linked to her original interest in archaeology: to bring forward Egyptian dance and the music of the past, redefine their boundaries and breath new life into them with theatricality introduced on stage, therefore ensuring them new life and a future.  For more information about Béatrice, see www.tarabofegypt.com.

www.habibadance.com

"Lauren of Arabia"

Egyptian percussionist, musician and dancer Karim Nagi has posted this great clip of a lecture he gave from a panel discussion in the Diwan 2009 conference at the Arab American National Museum in Deerborn Michigan, USA. Karim discusses the Americanization of Arab dance in America, and how Arabs can reintegrate into the development of their own art forms.

This is an articulate and intelligent presentation of the issues around how dance originating from the Arab world has often been portrayed and mistranslated in the West and how important it is both for non-Arabs to understand properly the culture, form and origin behind Arabic dance and for Arabs themselves to embrace their own cultural wealth of dance.

I think this video is a must see for any Egyptian or Raqs Sharqi style dancer and for those with an interest in Arab culture. 




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Sirocco - a new direction in dance Festivals

Celebrating the art of Middle Eastern dance with the meeting of East and West, the Sirocco Festival returns for its 3rd annual event in May.

This is a unique experience amongst dance festivals, introducing participants to new forms of Middle Eastern Dance, that evolve before your eyes. Sirocco artists are hand picked by dancer, choreographer and writer Wendy Buonaventura, each one chosen for their ability to "ignite the magic spark of inspiration" amongst Festival goers. Each of these artists is also given the opportunity to develop a new dance piece for theatre, which is showcased at the Festival's Friday night opening show.

I was lucky enough to have attended the first 2 Sirocco Festivals. The main reason I went was to attend the classes of the Belgian dancer Beatrice Grognard, for her only UK teaching dates. However, at Sirocco I found I really enjoyed the other elements of the Festival, the theatre show, discussions, the Hafla/party night, being in the company of an interesting group of women representing the many different facets of the dance community. And last year my personal insight from the weekend was the strong message of being true to my own self expression and my own interpretation of the dance.

This year's Festival returns to the market town of Frome in Somerset from 14th to 16th May. Artists include Wendy Buonaventura, Mira Betz and Beatrice Grognard (back by popular demand for the 3rd year in a row), together with a number of other teachers of national standing. The Friday night show is Wendy Buonaventura's "I Put a Spell on You", a show that I was lucky enough to see at the Edinburgh Festival a few years back - although this time featuring performances from Sirocco artists.

A Festival with personality and conviviality, I would thoroughly recommend Sirocco to anyone seeking out a dance weekend with a difference.

The photo shows participants performing at the Party night/hafla at the Rook Lane Arts Centre at last year's Festival.

www.habibadance.com